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February 2006 | |
Interview: Court's in Session Industrial: Whose Choices? Politics: Peter's Principles Environment: TINA or Greener? History: Its Not Just Handshakes and Aprons International: US Locks out Jose' Bove Education: No AWA - No Job Culture: Jesus was a Long-Grass Man Review: Charlie the Serf
The Soapbox The Locker Room Parliament
Total Impact
Capital Punishment on the Menu Unfair Sackings Face Challenge Holden's Bad Deal for Adelaide STOP PRESS: Guest Worker Plan Goes to Water Taking a Punt on Melbourne Cup Newcastle Rails Against Contracts Free Enterprise Kills Hundreds
Belated Merry Whatmas? The Grinch Who Stole Christmas I Think Therefore I Scam A Taxing Answer Leslie John Turner
Labor Council of NSW |
Review Charlie the Serf
Review: Charlie and the Chocolate Factory (DVD). It's no secret that Roald Dahl was a fascist. Many have long been suspicious of the Welsh-born writer's political views, from his odd anti-Semitic jibe to his marriage to the star of Ayn Rand's econo-Darwinian how-to manual The Fountainhead. But nothing stands more as a testament to Dahl's seig-heil-ism than his tale about a kid and a chocolate factory. Most people are familiar with the story from the 1971 film version, which was hailed as a cinematic masterpiece by LSD users everywhere. Charlie and the Chocolate Factory follows a dirt-poor Charlie Bucket who bumbles around with his hapless family for a while, hoping to get his hands one of five golden tickets, which are hidden in chocolate bars and entitle the bearer to a tour of Willy Wonka's mysterious factory. But Charlie isn't alone in his quest. Pandemonium sweeps the world as people of all nations behave like rabid dogs scavenging chocolate wrappers for the elusive tickets. Wonka, who is an eccentric recluse, hasn't let anyone into his factory for years and a tour of his complex is considered a rare privilege. Not even workers are allowed into the factory. He laid off all his local staff because of a paranoid belief people were stealing his secrets and selling them to competitors. Adding to people's desperation to get tickets is there is a promise of a 'special prize' for one of the ticket holders. Given the similarities between Johnny Depp's Willy Wonka and Michael Jackson, I'm surprised so many are interested in this 'special prize'. But gradually the ticket-holders emerge - all children - and each with a flaw. We have a gluttonous German, a morbidly competitive gum-chewer, a spoilt English brat and a precocious American video-gamer. And we have the sweet little innocent, hard working, humble Charlie, who is lucky enough to win ticket when he buys chocolate with money he finds on the ground. The five children proceed to Wonka's factory, where one by one their flaws lead to a predetermined punishment, master-minded by Willy Wonka himself, and exclude them from the 'special prize'. The story is a fable with a very strong message. That message is that the boss is always right, and the only way for the working class to succeed is to keep their heads down and not to ask for too much. This is Dahl's idealised society. He sees nothing wrong with Willy Wonka's industrial relations practices. Wonka has put thousands of locals out of work because a few underpaid employees sought to boost their incomes through work for other chocolate makers. To replace the ungrateful townsfolk, he has displaced an entire race - which he derogatorily calls "Oompa Loompas" - to work in unsafe conditions and pays them in chocolate. The "Oompa Loompas" are not allowed to leave the factory and have no idea of their exploitation. Through the whole movie, I never saw one of them on a break. Dahl also gives the green light to Wonka's sadistic punishment of bad little children, at least one of whom - Mike Teavee - poses a direct threat to his authority. Another child, the obese Augustus Gloop, is shown no sympathy, despite the fact that his weight problem stems from addiction to Wonka's chocolates. Clearly, Wonka is no better than British American Tobacco when it comes to corporate responsibility. Director Tim Burton is left to explain this sociopathic behaviour with flashbacks of Wonka's past, which aren't in Dahl's book. Apparently his father was too strict. On the other side of the coin, Dahl gives the thumbs up to Charlie Bucket and his family. Held up for their humility, the Buckets are actually too cowardly to take a stand against Wonka's exploitative corporation. I found it mind-boggling Grandpa Joe holds no grudge against an employer who has sacked him without reason, leaving his family living in abject poverty. In fact, in a sick way, Grandpa Joe seems to elevate Wonka to a god-like figure and successfully imparts this Wonka-worship onto his grandson. Without giving away the ending, the Buckets are duly rewarded for their obedience. Everything works out well for everyone who isn't an Oompa Loompa or out of work. Charlie becomes a capitalist and everyone else can go to hell. **** Actually, it wasn't a bad flick.
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