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November 2006   
F E A T U R E S

Interview: Common Ground
Nature Conservation Council director Cate Faehrmann on the fight against global warming and how unions and greens can learn from each other.

Industrial: A Low Act
The Low Paid. The Fair Pay Commission knows who pays them. We can do something about it as they will not.

Unions: The Number of the Least
Forget 666 - 457 is looming as the scariest number for Aussie workers and their families, Jim Marr writes.

Politics: The Smoking Gun
Hayek's henchman, Raplph Harris, goes to free market heaven, writes Evan Jones

Economics: Microcredit, Compulsory Superannuation and Inequality
They are supposed to ensure the wealth of well-being of individuals. Whats wrong with that? asks Neale Towart

Environment: Low Voltage
Nuclear Power and Prime Ministerial pronouncements are seriously short of a few volts, wrties Neal Towart

History: The Art of Social Justice
Tom Martin was a terrific cartoonist and part of a great tradition in labour movement history and culture, swrties Neale Towart.

Review: Work’s Unhealthy Appetite
It pays the bills – usually – but going to work should come with a warning, wrties Jackie Woods.

Culture: A Forgotten Poet
There is little information on the public record about the radical working class poet Ernest Antony, writes Rowan Cahill.

C O L U M N S

The Soapbox
Robbo Goes Green
John Robertson's speech to the Walk Against Warming

Parliament
The Westie Wing
Ian West takes a look at a former public institution and its contribution to NSW.

E D I T O R I A L

From Green House to Glass House
History tells us that towards the end of most reigns of power the regime stops listening to the people, stops talking to them and reverts to crushes dissent. Events this week suggest this is where the Howard Government is now.

N E W S

 Godfrey Hirst Carpets Workers

 Lies, Damned Lies and the Shirkin' Gherkin

 Guests Share Backpay Bonanza

 Win, Win for Filipinos

 Honey, They Shrunk Our Pay

 No Sex Thanks, We're Asian

 Green Jobs to Beat Climate Change

 They're Going Out The Door

 Medibank Staff Go Under Knife

 Thompson Slams Door on Delo

 Merchant Bankers Pull Entitlements Stroke

 Green the New Black

 Councils Fight Off Shoring

 Acitivists Notebook

L E T T E R S
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Culture

A Forgotten Poet


There is little information on the public record about the radical working class poet Ernest Antony, writes Rowan Cahill.

He is invariably, and incorrectly, referred to as Ernest Anthony, and more correctly and generally referred to as 'a radical poet of the 1930s'. His poem "The Hungry Mile" is a well known account of the vicissitudes of life and work on Sydney's waterfront, but it is often attributed to 'anonymous' and regarded as a 'folk creation' with a genesis and life of its own, not as something created by a specific poet.

So who was Ernest Antony? Well, he was an amateur poet who contributed verse about political struggle and working class life to the labour movement press that burgeoned in Australia during the 1920s and 30s. The Workers Weekly, Labor Daily, and the South Coast Times (NSW) were some of the outlets that published his work.

In 1930 Antony published a forty-page volume of poems The Hungry Mile And Other Poems, comprising thirty-three poems, printed by in Sydney by Wright & Baker, a Dixon Street printery owned by the Communist Party of Australia. In his 'Acknowledgement' Antony thanked the Australian left intellectual Esmonde Higgins for "his valuable assistance in preparing this volume for publication". The poems suggest the poet is a widely read person with a satiric, at times bitterly ironic, sense of humour and a combative spirit harking back to the Industrial Workers of the World (IWW). The verse is mainly in the ballad form, is sometimes uneven metrically with quirky punctuation, and was most likely intended to be read aloud.

In 1957 Sydney wharfie leader and history enthusiast Tom Nelson published a brief history of Australian waterfront labour and unionism (with a Sydney emphasis) titled The Hungry Mile, in which he reprinted the poem "The Hungry Mile", unattributed. A few years later Ernest's younger brother Harry Antony wrote a letter to Nelson and filled him in on his poet-brother's life. The following information is based on Harry's letter, recently uncovered by the archival sleuthing of literary historian Peter Kirkpatrick.

Ernest was born on a dairy farm in Victoria, in 1894, the family later moving to West Australia where his father variously engaged in road building and farming. Ernest left school at the age of thirteen, worked on the land where "a pair of blade shears, shovel, axe, adze and a team of horses were his tools of trade". He left home in 1916 and began a nomadic working life that took him across Northern Australia, and down the East Coast as far as Port Melbourne, lumping wheat, construction jobs, mule and camel team driving, prospecting for tin and gold, railway work, timber cutting, cane fields work, waterside labouring. He was a trade unionist, participated in strikes, gained a reputation for being a militant, was variously blacklisted for his involvements, and contributed poetry to labour movement publications. During the 1930s he was one of the many men who unsuccessfully tramped Sydney's Hungry Mile in search of work. World War 2 saw him employed as a bridge and wharf carpenter for the duration, and he was prominent in trade union work.

After the war Ernest variously worked in West Australia, the Northern Territory, and in New South Wales, his work including market gardening, dog training, cattle driving, prospecting, and bridge building. He died on the pension in Gunnedah, NSW, in 1960. As his brother concluded in his letter to Nelson: "I buried him six feet under and as far as I know the old bloke is still there. Also on the way round he married twice".

Harry described the working life of his brother thus: "Men who did not see eye to eye with the good kind worthy master were frequently on the move in order to eat and he was of that rebellious order. The swag (and) parts unknown was often his only address".

In piecing this account together, I acknowledge the generosity, interest, and researches of Peter Kirkpatrick and Mark Gregory.

Rowan Cahill.


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