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Issue No 85 | ![]() |
23 February 2001 |
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HistoryScabbing Through the Ages
Neale Towart looks back at how popular culture has treated those workers who have not considered themselves part of the collective.
"A mean, low scurvy fellow; a scoundrel" was one of the original meanings of the word, according to the Oxford English Dictionary who trace it to 1590. In 1786 the OED records the word scabbed as being used to refer to a "mean and contemptible" act. The use of the word directly regarding workers seems to stem from the USA in around 1811 as " a workman who refuses to join an organised movement on behalf of his trade". Scabs have long been the target and subject of union songs. Mark Gregory notes Jack London's famous description of scabs: "When God had finished the rattlesnake, the toad, the vampire, He had some awful substance left with which he made a scab.... the modern strikebreaker sells his birthright, his country, his wife, his children, and his fellow men for an unfilled promise from his employer, trust, or corporation"
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Banjo Paterson knew a great deal about and was sympathetic to the struggles of workers in the Australia he was writing in. He may have been a lawyer but his attitude to scabs is as hostile as that of any militant unionist as he proved in his poem "The Bushman's Song" better known as "Travelling Down The Castlereagh" I asked a cove for shearing once along the Marthaguy/ "We shear non-union here" says he. "I call it scab," says I
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Joe Hill's work was a mainstay of the Wobblies, before and after his "murder" by US authorities in a frame up murder charge in 1915. This union satire of the popular folksong was written by Hill in response to a strike involving 35,000 shopmen of the Harriman and Illinois Central Railroad System (which included the Southern Pacific), Sep 1911 through 1915, and was first published in the 11 Jul 1912 edition of the Industrial Worker "Little Red Songbook." The Workers on the S. P. line to strike
sent out a call; Casey Jones kept his junk pile running; The workers said to Casey: "Won't you
help us win this strike?" Casey Jones hit the river bottom; When Casey Jones got up to heaven, to the
Pearly Gate, Casey Jones got up to heaven; They got together, and they said it wasn't
fair, Casey Jones went to Hell a'flying; A lot has been written about Hill. For biography and songs this is a good place to start. The IWW in Australia included the Casey Jones song in their songbook.
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Bitter disputes were common from 1917, and the IWW was often seen as the "worst element". They believed in "direct action". There influence waned with the rise of an official Communist Party. Verity Burgmann's excellent Revolutionary Industrial Unionism (Cambridge University Press) is a fascinating look at the IWW. The IWW is still going and the Australian branch is on the web, with Direct Action. In 1919 an Australian version was written, in response to actions that took place in Broken Hill during the strike. It was simply "Scab's Hymn". "Blue Whiskers" scabbed at the Central Mine on 7 September 1918 On the seventh day of September we called a
one-day strike CHORUS Blue Whiskers kept his popper running, The unions got together and said it wasn't
fair Blue Whiskers will hit the bottom flying, (Warren Fahey collected this song in Broken Hill in 1974) Warren Fahey has been crucial to sustaining and recovering Australian folk music over the years. This song and other classics are included in his recent collection Ratbags and Rabblerousers: a century of Political Protest, Song and Satire. Published by Currency Press in December 2000. 400 pages of songs and story for $32.95
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The scab theme was played hard during the MUA Patrick dispute of course, and many songs were written and performed around that. The following were written by Peter Hicks and Geoff Francis. The Fighting MUA (tune of Wild Colonial Boy) There was a foolish stevedore and Patrick
was his name, It was the night that Patrick's came, like
burglars at their trade, CHORUS So come away, my comrades, on the wattle
we'll have no stains, The judge in England said he could not
countenance this lot, (from: Warren Fahey. Ratbags and Rabblerousers, p 360) The Slimy Patrick's Scab Tune: works well with "The Sydney Market Boys" There's vampire bats and sewer rats,
there's pubic lice and crabs, An hour before the sun comes up, he crawls
out of his pit, To serve his wretched masters goes the slimy Patrick's scab. And when his treachery is done, on his
knees he crawls back home, (from:Mark Gregory's website of union songs, articles, books, recordings and links to other song and union sites.
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![]() ![]() ![]() The new Workplace Relations minister relives his own union background and explains why he�s really just another worker at heart. Honestly. ![]() ![]() Australia might be burning, but is it a fire that can be brought under control? ![]() ![]() SDA delegate Maria Kavaratzis recounts how the Campsie Big W has been transformed into a union shop. ![]() ![]() Neale Towart looks back at how popular culture has treated those workers who have not considered themselves part of the collective. ![]() ![]() The Korean Metal Workers Federation recounts a week which culminated in violent attacks on workers outside the Daewoo factory. ![]() ![]() The millennial deadline might have passed, but Jubilee 2000 is not giving up the fight for debt cancellation for the world�s fifty-two poorest countries. ![]() ![]() As Africa attempts to deal with the HIV crisis, access to the medicines that can relieve victims� suffering is emerging as a major humanitarian issue. ![]() ![]() John Howard has claimed the Liberal Party�s decimation in Western Australia and Queensland as a triumphant vindication of his party�s embracing of the national competition policy. ![]() ![]() As we ponder the One Nation renaissance, a new book challenges the current debates around xenophobia and the perceived threat of danger from Asia. ![]()
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